Up until the second World War, Moreška was normally performed once a year on the 29th of July, which is

Croatian Baroque Ensemble is the most prominent Croatian ensemble specializing in historically informed interpretation of early music on original instruments

Anna Stegmann is a passionate performer and teacher of early and contemporary recorder music.

The Quinta Essentia was established in 2020 to attract young and representative musicians specialized in historically informed performance. This is

Trio Eusebius is a piano trio established at the Zagreb Academy of Music in 2017 under the mentorship of prof.

Croatian guitarist Mislav Režić leads an active international career as a soloist and chamber musician. A wide interest in musical

Antigoni Tsalla graduated in 2002 with Harmony and Modern Flute degrees at the Athens conservatory and obtained her Musicology Diploma

Russian born Austrian-Croatian violist and conductor Wladimir Kossjanenko studied viola from with V. Stopitchev in St. Petersburg, with H. P.

Đorđe Stanetti was born in 1961 in Zagreb where he started his musical education. In 1977 he had his debut

Oslo Circles was founded in Oslo in 2015 by the baroque violinist Astrid Kirschner, and consists of some of the

The first Croatian to performe on the baroque violin, Laura Vadjon is artistic director and concertmaster of the Croatian Baroque Ensemble. From 1999 she has appeared extensively with the Ensemble at home and abroad, and has been the first in Croatia to perform a large number of works by forgotten composers and great baroque masters.

Ivan Josip Skender (Varaždin, 1981) began to study composition in 1997 at the Zagreb Music Academy in the class of Željko Brkanović, as the youngest ever student in the Academy’s history. Two years later, he also started studying conducting with Vjekoslav Šutej.

Oboist and recorder player Andreas Helm is a permanent member of the Capella Leopldina, the Irish Baroque Orchestra, the Baroque